Mar Negro (Sen Anlat Karadeniz). Crítica de la semana de estreno

mar negro sen anlat karadeniz logo grande

1 Comentario

  1. I was attracted to this show after many other dizi – because I like the work of Ulas Tuna Esteppe in Karadayi as the leading man’s younger rebellious brother. That show also reflected Trabzon in the memory of the main family. (Just the fond memory – the story was entirely suburban istanbul c.1975)
    I cruised through up to end of Season One, and was fascinated with the production values. It must have been very expensive to film, using ships, the fishing industry and related issues as the setting…..much more complex that the usual Istanbul business, upper middleclass tropes.
    I was rivetted to the show although I dearly wished there was more moments of ease and relaxation in the love; everything seemed to screech along on full-throttle tension. I wondered if the traditional beliefs of Black Sea clans as highly emotional and passionate was the reason for the writing/characters being portrayed as they were. I read that Season 2 and 3 were dire. Maybe having heard those thoughts, I will leave it now. There is a plateau of sorts at end of Ep 20. I love Ulas Tuna Esteppe’s work, and will look for more of it after this.
    AND although I’ve visited Turkey three times, I’ve not been to the Black Sea Nth East. I will hope to return, pandemic willing – and breathe its air for real thanks to this show.

Deja una respuesta

Tu dirección de correo electrónico no será publicada. Los campos obligatorios están marcados con *